After all these years, Wand knows where each peak is and how best to approach it. His reading is broader than it was 20 years ago, which is perhaps just as well given the Berliners' own predilections, yet nowhere is there any sense of unwanted stasis. The performance is a glorious one. The New Philharmonia are absolutely superb in every department, and Klemperer's comprehensive unfolding of Bruckner's far-ranging forms is as infallible as ever.
The broad canvas of the opening movement is built up inexorably, so that the sudden eruption into the recapitulation is electrifying in its impact. The steadily tramping tempo for the fantastic scherzo seems to me exactly right, and the melting cadence-phrases in the echoing trio-section are treated with all the tenderness they call for. The flowing finale grows so inevitably under Klemperer's hands that for the first time I was untroubled by any formal problems of the movement - except at one point: at the start of the development section, the cellos' inversion of the main theme is submerged by the violins' countermelody, so that unless one listens very carefully, the music seems to have lost continuity through introducing a completely new theme at the most unexpected moment.
What you see is clear cueing, a discernible beat and subtle facial responses. The players vary in age and appearance: no stiffening dress-code clamps down with unwarranted formality, just well-dressed men and women totally into the business of making great music. And boy, do they deliver! After a lifetime absorbing the master's music, Walter bequeathed to posterity one of the most memorable of all recordings of this work: idiomatic, affectionate, and superbly directed.
There is also something reassuringly old-fashioned about the playing of the National Symphony Orchestra of Ireland. Berliner Philharmoniker. Digital Concert Hall.
Your order will be processed and shipped by our team as soon as possible. Also, I apologize for my far from perfect English. An excellent Bruckner Discography is mantained by John F. A link to the relevant part of the Discography is provided below, for each of the symphonies. Symphony in F minor "Study Symphony" "no.
Original version and the only one , begun on February 15, and completed on May 26, First performance by Franz Moissl on March 18, Published by Nowak See all Recordings of this Symphony in the Bruckner Discography. Symphony in D minor "die Nullte" "no. Original version and the only one , completed in It's doubtful that there ever was a former score of this symphony, as it was believed. First edition , Universal by J. First played on October 12, in Klosterneuburg under Franz Moissl.
Critical edition by Nowak Symphony no. Original version , composed in Linz between May and April First performance in Linz on May 9, , conducted by Bruckner. Haas didn't publish a score of it but provided a description.
A complete reconstruction was prepared by William Carragan in It is the result of a rhythmic revision made in , but includes perhaps some slight changes made as far as This is the version commonly performed. The Haas and Nowak editions of this version have no significant differences. First performed in Vienna on December 13, by Hans Richter. The modern critical edition of this version is by G.
Brosche Critical edition by William Carragan for the Bruckner Society. There were many changes in this revision. The order of the inner movements was reversed; in the Adagio, the horn solo at the end was changed to a clarinet solo and a violin solo was added. The repeats were canceled in the Scherzo and Trio, a passage in the Finale was completely rewritten, and a fourth trombone was added in the final few bars to reinforce the bass line. Critical version by William Carragan still unpublished.
O under Bruckner. There weren't many changes this time. In the Finale, some material from the version, cut in , was restored, the new passage added in was shortened, the fourth trombone was removed from the final bars and, instead, unison strings were introduced at the very end.
Had the ability to bring out the very best from any orchestra he conducted Mariss Jansons.
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