Tickets go on-sale November 5th at 10am!!! The tour is coming to the Fox Theatre Sunday, June 26! Tickets go on-sale Wednesday, November 3rd at 8pm! Get your tickets at FoxTheatre. We got the memo!! Red Out for our braves ForTheA. Below is what her peers wrote in her nomination.
Jessie is the embodiment of Speak Fox. This takes a lot of time, patience, and skill to schedule volunteers when times are great, but to do it during a pandemic when we have a shortage of willing participants, shows great determination and dedication. Jessie led the team towards success with her positivity and encouragement that we can, and we will do this thing!
Thank you, Jessie, for all that you do for the Fox Family! Tickets go on-sale October 29th at 10am! Stand-up comedian, actor and author, ronwhiteofficial best known as a charter member of the Blue Collar Comedy Tour.
Tickets go on-sale Friday, October 29th at 10am! Get your tickets at foxtheatre. Tickets for broadwayunderthemistletoe go on-sale Friday, October 29th at 10am! Ballet with Wendy Whelan. The Portuguese Kid. Dance Theatre of Harlem. In the Body of the World. Flamenco Festival.
Martha Graham Dance Company. Family Workshop with Sam Pinkleton. The Choreographic Process. Acosta Danza: Debut. Festival Studio Events. Dan Cody's Yacht. Bernstein at Sugar in Our Wounds. Gavin Creel. Songs for a New World. Gone Missing Created by The Civilians. India Pale Ale. The Niceties. Song of the Mermaid. Balanchine: The City Center Years. A Chorus Line. Young New York Night. Nederlands Dans Theater 2. Call Me Madam.
The Cake. Ballet Flamenco Sara Baras. Dorrance Dance. Lady in the Dark. High Button Shoes. Long Lost. Working: A Musical. The Composers of Working: A Musical. Road Show. Bat Out of Hell — The Musical. The New Englanders. Bella Bella. Houston Ballet. Houston Ballet redirect. Alvin Ailey American Dance Theater. Nederlands Dans Theater. Love Life.
The Cherry Orchard. Studio 5 Great American Ballerinas. Inside the Revival. An Evening with Audra McDonald. Sutton Foster Bring Me to Light. Studio 5. The Tap Dance Kid. The Life. Into the Woods. Morning Sun. Tell them! For one example, tech theatre work--building scenery, hanging lights, making props, running the show, and so on--is a particularly good way to learn how to think on your feet, to identify problems, evaluate a range of possible solutions, and figure out what to do.
The same is true of almost every aspect of theatre. And more. The point here is that your creative ability, what you've learned about using creative processes to solve problems, can be directly applicable to virtually any job you may have.
Most major companies believe that a creative problem-solver will become a good employee. That's you. More than "get it done" But theatre students learn that just "getting it done" isn't enough. Not at all.
It goes beyond that. You learn to do it correctly. In theatre we learn that merely "getting the show on the boards" is pure bush league and totally unacceptable. Whatever your theatrical job--tech, performing, research, management--it has to be done right.
You learn to take pride in doing things at your very best level. Of course an employer will value that trait. Motivation and Commitment Being involved in theatre productions and classes demands commitment and motivation. These are qualities that college theatre faculty members and, in some measure, you and your fellow students, probably already possess. By example, we teach each other that success comes to those who are committed to the task at hand. Few other disciplines you study will so strongly help you develop motivation and commitment.
Many theatre students learn to transfer that attribute from theatre to other activities such as classes and jobs. For employers, that positive attitude is essential. Willingness to Work Cooperatively Your work in theatre companies teaches you how to work effectively with different types of people--often very different types! Theatre demands that participants work together cooperatively for the production to success; there is no room for "we" versus "they" behavior; the "star" diva is a thing of the past.
Your colleagues will usually let you know when you violate the team spirit of a production. In theatre, it's important that each individual supports the others involved. Employers will be pleased to know that you understand how to be a team player. The Ability to Work Independently In theatre, you're often assigned tasks that you must complete without supervision. Crew chiefs. Putting together this flat, finding that prop, working out characterization outside of rehearsals.
It's left up to you to figure out how best to achieve the goal. The ability to work independently is a trait employers look for in their workers. Time-budgeting Skills When you're a student, being involved in theatre forces you to learn how to budget your time. You need to schedule your days very carefully if you want to keep up your grades while you're busy with rehearsals, work calls, and the other demands that theatre makes on your time.
Good time management skills are enormously important to employers. Initiative Personnel managers call people who approach work with initiative and enterprise "self-starters," people who do what needs to be done without waiting to be asked, without needing to be told. The complexities of a theatrical production demand individuals who are willing to voluntarily undertake any task that needs to be done in order for the production to succeed.
In theatre, we're all self-starters. We learn how to take initiative, to move a project from initial concept to finality--and to do it well. Promptness and Respect for Deadlines Tardiness is never acceptable in theatre because it shows a lack of self-discipline, and more importantly, a lack of consideration for others.
Being late for a rehearsal or a work call or failing to finish an assigned task on time damages a production and adversely affects the work of many other people.
Theatre demands that you learn to arrive on time and meet scheduled deadlines. That's a job-skill. Employers appreciate workers who are on time and do their work as scheduled. Acceptance of Rules In theatre you work within the structure of a set of procedures and rules that deal with everything from shop safety to behavior at auditions, rehearsals and work calls. You learn that you must be a "good follower. The Ability to Learn Quickly--AND Correctly Theatre students, whether they're memorizing lines or learning the technical aspects of a production, must have the ability to absorb a vast quantity of material quickly--and accurately.
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